I have often heard that if you sing to yourself, it means you are happy. I don’t know exactly if that’s true but for the past few weeks now I have found myself trapped inside a Yellow Submarine singing to myself songs from The Beatles.
At times I was off either searching for “Lucy in the Sky with Diamonds” or taking that “Magical Mystery Tour.” Sometimes, I’d feel like I want a “Revolution.” When having H & R Block do my taxes, I couldn’t get the lyrics to “Taxman” out of my head.
There is a reason for this. While Americans every year look back on “Yesterday” recalling such somber anniversaries as 9/11, Pearl Harbor, Oklahoma City, the Newtown and Aurora Massacres, the Titanic disaster and most recently, the JFK Assassination, finally there is an actual event that is worth celebrating: the 60th Anniversary of The Beatles coming to America that began with their arrival in New York in Feb. 7, 1964. On Feb. 9, "The Fab Four" made their first US television debut on "The Ed Sullivan Show" which drew 73 million viewers.
I am not going to waste newsprint regurgitating the past. You want to read about The Fab Four’s arrival in America, read Rolling Stone. I wasn’t born in the early 50s, so I don’t know what it was like to go through a traumatizing event as President Kennedy’s assassination in November 1963 and yearning for something, anything positive to look forward to a mere three months later with the arrival of four British mop tops from Liverpool.
Instead of paying attention to the documentaries that might air this month about The Beatles, I'll do what I've done so many times before - celebrate in my own way watching the band’s movie debut in "A Hard Day’s Night" (1964) which was both a clever mixture of British comedy and documentary.
I was amazed watching these four mop tops acting so naturally in front of the camera without making their performances look like they needed coaching.
There is John; the practical joker and smart aleck who often calls his manager (Norman Rossington) a swine. The minute he finds out the train station is swarming with girls Lennon asks jokingly if he can perform surgery.
At times I was off either searching for “Lucy in the Sky with Diamonds” or taking that “Magical Mystery Tour.” Sometimes, I’d feel like I want a “Revolution.” When having H & R Block do my taxes, I couldn’t get the lyrics to “Taxman” out of my head.
There is a reason for this. While Americans every year look back on “Yesterday” recalling such somber anniversaries as 9/11, Pearl Harbor, Oklahoma City, the Newtown and Aurora Massacres, the Titanic disaster and most recently, the JFK Assassination, finally there is an actual event that is worth celebrating: the 60th Anniversary of The Beatles coming to America that began with their arrival in New York in Feb. 7, 1964. On Feb. 9, "The Fab Four" made their first US television debut on "The Ed Sullivan Show" which drew 73 million viewers.
I am not going to waste newsprint regurgitating the past. You want to read about The Fab Four’s arrival in America, read Rolling Stone. I wasn’t born in the early 50s, so I don’t know what it was like to go through a traumatizing event as President Kennedy’s assassination in November 1963 and yearning for something, anything positive to look forward to a mere three months later with the arrival of four British mop tops from Liverpool.
Instead of paying attention to the documentaries that might air this month about The Beatles, I'll do what I've done so many times before - celebrate in my own way watching the band’s movie debut in "A Hard Day’s Night" (1964) which was both a clever mixture of British comedy and documentary.
I was amazed watching these four mop tops acting so naturally in front of the camera without making their performances look like they needed coaching.
There is John; the practical joker and smart aleck who often calls his manager (Norman Rossington) a swine. The minute he finds out the train station is swarming with girls Lennon asks jokingly if he can perform surgery.
Paul is the polite one who answers all questions reporters ask him with either the comments, “I like to keep Britain tidy” or “Actually, we’re just good friends.”
George, on the other hand is the opinionated one; always speaking his mind in situations even when he is not solely involved in a project.
Finally, Ringo: the sensitive one who gets the most fan mail and hates it when other people touch his drums.
To my surprise I wasn’t too far off in describing their characteristics. According to IMDB.com, writer Alun Owen created their stereotypes saying, “John Lennon is a smart-ass, Paul McCartney is cute and sensible, George Harrison is quiet and shy, and Ringo Starr is dim-witted and sad.”
The story is like a day in the life of a classic rock band as The Beatles prepare for a television concert where the audience consists of no one but giddy schoolgirls (not a single male member of the audience can be spotted).
The picture, shot entirely in black and white, not only spawned a half-hour rock and roll sitcom two years later on NBC called "The Monkees" (1966-1968), but made it possible for future filmmakers to create imaginative music videos for other successful bands and recording artists.
Prior to the performance, the band frequent nightclubs where their number one hits like "All My Loving" and "I Wanna Be Your Man" are played and run around in open fields like kids.
Watching the group smile and sing over the loud cries and cheers of adoring fans in that packed, small auditorium, I can understand why The Beatles didn’t perform that many concerts in the United States. They wanted the audience to hear their voices over all the commotion.
This is where the real joy of "A Hard Day’s Night" comes in though; hearing the soundtrack that includes along with the film’s title song, "Can’t Buy Me Love", "If I Fell", "Tell Me Why", "She Loves You", and "I’ll Cry Instead". They are songs that one friend of mine, Greg Hehn, called “feel good hits.” Songs you can dance to, he said, but they are lyrics with not much meaning.
Hehn said he thought the band’s later works he heard on "Sgt. Pepper’s Lonely Hearts Club Band" (1967), "Abbey Road" (1969) and "Let It Be" (1970) were some of their best and showed how much the group matured.
Those hit albums though came a few years later when the four were no longer the handsome, innocent looking, clean cut gentlemen from Liverpool you see in this film. As they got older and their hair grew longer, the outfits changed, and so did their attitudes.
The rest is history as the band’s personal and creative differences would eventually cause their break-up in 1970.
Seeing them run freely throughout England’s yards and kidding around with each other in this movie, however, I got the notion back in The Fab Four’s early days that being a Beatle was as much a joy for them as it was for the fans who embraced their music 60 years ago this month.
©1/19/24
George, on the other hand is the opinionated one; always speaking his mind in situations even when he is not solely involved in a project.
Finally, Ringo: the sensitive one who gets the most fan mail and hates it when other people touch his drums.
To my surprise I wasn’t too far off in describing their characteristics. According to IMDB.com, writer Alun Owen created their stereotypes saying, “John Lennon is a smart-ass, Paul McCartney is cute and sensible, George Harrison is quiet and shy, and Ringo Starr is dim-witted and sad.”
The story is like a day in the life of a classic rock band as The Beatles prepare for a television concert where the audience consists of no one but giddy schoolgirls (not a single male member of the audience can be spotted).
The picture, shot entirely in black and white, not only spawned a half-hour rock and roll sitcom two years later on NBC called "The Monkees" (1966-1968), but made it possible for future filmmakers to create imaginative music videos for other successful bands and recording artists.
Prior to the performance, the band frequent nightclubs where their number one hits like "All My Loving" and "I Wanna Be Your Man" are played and run around in open fields like kids.
Watching the group smile and sing over the loud cries and cheers of adoring fans in that packed, small auditorium, I can understand why The Beatles didn’t perform that many concerts in the United States. They wanted the audience to hear their voices over all the commotion.
This is where the real joy of "A Hard Day’s Night" comes in though; hearing the soundtrack that includes along with the film’s title song, "Can’t Buy Me Love", "If I Fell", "Tell Me Why", "She Loves You", and "I’ll Cry Instead". They are songs that one friend of mine, Greg Hehn, called “feel good hits.” Songs you can dance to, he said, but they are lyrics with not much meaning.
Hehn said he thought the band’s later works he heard on "Sgt. Pepper’s Lonely Hearts Club Band" (1967), "Abbey Road" (1969) and "Let It Be" (1970) were some of their best and showed how much the group matured.
Those hit albums though came a few years later when the four were no longer the handsome, innocent looking, clean cut gentlemen from Liverpool you see in this film. As they got older and their hair grew longer, the outfits changed, and so did their attitudes.
The rest is history as the band’s personal and creative differences would eventually cause their break-up in 1970.
Seeing them run freely throughout England’s yards and kidding around with each other in this movie, however, I got the notion back in The Fab Four’s early days that being a Beatle was as much a joy for them as it was for the fans who embraced their music 60 years ago this month.
©1/19/24

